EditorialA couture wedding sequin tunic and three-dimensional floral skirt, 2015, from Chanel, on display in the exhibition “Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art in New York, April 30, 2023. (Landon Nordeman/The New York Times)
EditorialA couture wedding sequin tunic and three-dimensional floral skirt, 2015, from Chanel, on display in the exhibition “Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art in New York, April 30, 2023. (Landon Nordeman/The New York Times)
EditorialA couture wedding sequin tunic and three-dimensional floral skirt, 2015, from Chanel, on display in the exhibition “Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art in New York, April 30, 2023. (Landon Nordeman/The New York Times)
EditorialA couture wedding sequin tunic and three-dimensional floral skirt, 2015, from Chanel, on display in the exhibition “Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art in New York, April 30, 2023. (Landon Nordeman/The New York Times)
EditorialNick Cave’s “Hustle Coat” (2021), a trench coat concealing a tunic of striated costume jewelry and bootleg Rolexes, on view at the Guggenheim Museum in New York, Nov. 17, 2022. (Jeenah Moon/The New York Times)
EditorialLinda Rodin, founder of the cult favorite Olio Lusso face oil, wears a laced-at-the-bosom tunic in New York, Sept. 23, 2022. (Tayler Smith/The New York Times)
EditorialJake Oliver, private client adviser for Moda Operandi, at the company's new offices and creative hub at Industry City in Brooklyn, Jan. 10, 2020. (George Etheredge/The New York Times)