EditorialThe Tibetan filmmaker Pema Tseden, whose work tackled themes like the loss of Tibetan traditions and identity in the face of modernization, at his home in Beijing, on April 13, 2019. (Gilles Sabrié/The New York Times)
EditorialThe Tibetan filmmaker Pema Tseden, whose work tackled themes like the loss of Tibetan traditions and identity in the face of modernization, at his home in Beijing, on April 13, 2019. (Gilles Sabrié/The New York Times)
EditorialThe Tibetan filmmaker Pema Tseden, whose work tackled themes like the loss of Tibetan traditions and identity in the face of modernization, at his home in Beijing, on April 13, 2019. (Gilles Sabrié/The New York Times)
EditorialThe Tibetan filmmaker Pema Tseden, whose work tackled themes like the loss of Tibetan traditions and identity in the face of modernization, at his home in Beijing, on April 13, 2019. (Gilles Sabrié/The New York Times)
EditorialThe Tibetan filmmaker Pema Tseden, whose work tackled themes like the loss of Tibetan traditions and identity in the face of modernization, at his home in Beijing, on April 13, 2019. (Gilles Sabrié/The New York Times)
EditorialThe Tibetan filmmaker Pema Tseden, whose work tackled themes like the loss of Tibetan traditions and identity in the face of modernization, at his home in Beijing, on April 13, 2019. (Gilles Sabrié/The New York Times)
EditorialThe Tibetan filmmaker Pema Tseden, whose work tackled themes like the loss of Tibetan traditions and identity in the face of modernization, at his home in Beijing, on April 13, 2019. (Gilles Sabrié/The New York Times)