EditorialRāva?a, in the Pu?paka chariot, and the rāk?asas accompanying him, come across a beautiful palace, and Prahasta is sent to enquire who lives there. Prahasta encounters a fearsome, dark doorkeeper enveloped in flames, and is then shown departing...
EditorialRāva?a enquires as to the whereabouts of the puru?a from the rāk?asas. They point in the direction of a cave which he has entered. Rāva?a enters the cave and sees there thousands of exalted beings. Ramayana. Udaipur, c.1653. Source: Add.1529...
EditorialMeanwhile in La?kā, Vibhī?a?a had been urging his brother Rāva?a to repent of his sin in abducting another’s wife and to return Sītā to Rāma. Despairing of Rāva?a’s wickedness and folly, Vibhī?a?a has abandoned him to his fate...
EditorialSurrounded by Lak?ma?a, Vibhī?a?a and Sugrīva, and by rāk?asas and monkeys, Rāma, dressed appropriately and lying on his tiger skin, for three days beseeches the Ocean to appear in person, but to no avail. Ramayana. Udaipur, c.1653. Sourc...
EditorialIndra the king of the gods approaches Vi??u, enthroned outside his celestial palace and surrounded by other gods under a canopy, to ask if he would fight against Rāva?a in the imminent battle between the gods and rāk?asas. Vi??u says that...
EditorialHere Rāma and Lak?ma?a, with Vibhī?a?a, Sugrīva and A?gada are seen attacking four or five important rāk?asas. Indrajit, in the bottom right corner, makes a sacrifice to ensure invisibility with fire and a deer. His chariot with his ele...
EditorialHere Rāva?a and the rāk?asas are depicted fighting the Nivātakavacas, a race of giants or daityas protected by Brahmā. They battle for a year. Brahmā intervenes and asks them to befriend each other as both parties are invincible. Rāva?a and...
EditorialRāva?a, hearing of the heroes' recovery, sends out Dhūmrāk?a with other rāk?asas to kill them. Depicted with a boar’s head, Dhūmrāk?a has a chariot drawn by mules and tigers, with a lion standard. A vulture of ill-omen perches on top of...
EditorialRāva?a, in the Pu?paka chariot, and the rāk?asas accompanying him, come across a beautiful palace, and Prahasta is sent to enquire who lives there. Prahasta encounters a fearsome, dark doorkeeper enveloped in flames, and is then shown departing...
EditorialRāva?a enquires as to the whereabouts of the puru?a from the rāk?asas. They point in the direction of a cave which he has entered. Rāva?a enters the cave and sees there thousands of exalted beings. Ramayana. Udaipur, c.1653. Source: Add.1529...
EditorialMeanwhile in La?kā, Vibhī?a?a had been urging his brother Rāva?a to repent of his sin in abducting another’s wife and to return Sītā to Rāma. Despairing of Rāva?a’s wickedness and folly, Vibhī?a?a has abandoned him to his fate...
EditorialSurrounded by Lak?ma?a, Vibhī?a?a and Sugrīva, and by rāk?asas and monkeys, Rāma, dressed appropriately and lying on his tiger skin, for three days beseeches the Ocean to appear in person, but to no avail. Ramayana. Udaipur, c.1653. Sourc...
EditorialIndra the king of the gods approaches Vi??u, enthroned outside his celestial palace and surrounded by other gods under a canopy, to ask if he would fight against Rāva?a in the imminent battle between the gods and rāk?asas. Vi??u says that...
EditorialHere Rāma and Lak?ma?a, with Vibhī?a?a, Sugrīva and A?gada are seen attacking four or five important rāk?asas. Indrajit, in the bottom right corner, makes a sacrifice to ensure invisibility with fire and a deer. His chariot with his ele...
EditorialHere Rāva?a and the rāk?asas are depicted fighting the Nivātakavacas, a race of giants or daityas protected by Brahmā. They battle for a year. Brahmā intervenes and asks them to befriend each other as both parties are invincible. Rāva?a and...
EditorialRāva?a, hearing of the heroes' recovery, sends out Dhūmrāk?a with other rāk?asas to kill them. Depicted with a boar’s head, Dhūmrāk?a has a chariot drawn by mules and tigers, with a lion standard. A vulture of ill-omen perches on top of...
EditorialRāva?a, in the Pu?paka chariot, and the rāk?asas accompanying him, come across a beautiful palace, and Prahasta is sent to enquire who lives there. Prahasta encounters a fearsome, dark doorkeeper enveloped in flames, and is then shown departing...
EditorialRāva?a enquires as to the whereabouts of the puru?a from the rāk?asas. They point in the direction of a cave which he has entered. Rāva?a enters the cave and sees there thousands of exalted beings. Ramayana. Udaipur, c.1653. Source: Add.1529...
EditorialMeanwhile in La?kā, Vibhī?a?a had been urging his brother Rāva?a to repent of his sin in abducting another’s wife and to return Sītā to Rāma. Despairing of Rāva?a’s wickedness and folly, Vibhī?a?a has abandoned him to his fate...
EditorialSurrounded by Lak?ma?a, Vibhī?a?a and Sugrīva, and by rāk?asas and monkeys, Rāma, dressed appropriately and lying on his tiger skin, for three days beseeches the Ocean to appear in person, but to no avail. Ramayana. Udaipur, c.1653. Sourc...
EditorialIndra the king of the gods approaches Vi??u, enthroned outside his celestial palace and surrounded by other gods under a canopy, to ask if he would fight against Rāva?a in the imminent battle between the gods and rāk?asas. Vi??u says that...
EditorialHere Rāma and Lak?ma?a, with Vibhī?a?a, Sugrīva and A?gada are seen attacking four or five important rāk?asas. Indrajit, in the bottom right corner, makes a sacrifice to ensure invisibility with fire and a deer. His chariot with his ele...
EditorialHere Rāva?a and the rāk?asas are depicted fighting the Nivātakavacas, a race of giants or daityas protected by Brahmā. They battle for a year. Brahmā intervenes and asks them to befriend each other as both parties are invincible. Rāva?a and...
EditorialRāva?a, hearing of the heroes' recovery, sends out Dhūmrāk?a with other rāk?asas to kill them. Depicted with a boar’s head, Dhūmrāk?a has a chariot drawn by mules and tigers, with a lion standard. A vulture of ill-omen perches on top of...
EditorialDETALLE DE LA ORZA TUROLENSE CON ASAS DECORADA CON PALMETAS DERIVADAS DE LOS ATAURIQUES CARNOSOS DE MANISES, Y PAJAROS ESTILIZADOS - SIGLO XV.