EditorialHexagonal panel with depiction of Daedalus. Copy after a relief by Andrea Pisano (1290-1348). Campanile of Giotto. Cathedral of Florence, La Toscana, Italy.
EditorialDaedalus and Icarus. Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1530-1535. Dimensions: 343 x 264 mm. Pen and brown ink with brush and brown wash, heightened with lead white, over incising, on cream laid paper, laid down on ivory l...
EditorialProject for Two Octagonal Paintings: Daedalus using Breasts of Hebe as Model for Bowl for Jupiter. Hebe Receives this Bowl from Him., Felice Giani, Italian, 17581823, Pen and brown ink on cream laid paper, Hebe shown leaning upon chair and raising her ...
EditorialPeter Paul Rubens (1577-1640). Flemish painter. Daedalus and the Minotaur or The Labyrinth of Crete, ca.1636. Sketch. Oil on panel. Museum of Fine Arts. A Coru?a, Galicia, Spain.
EditorialDaedalus present the artificial cow to Pasiphae. Roman fresco.1st century AD. Casa della Caccia Antica, VII, 4, 48. Pompeii, Italy. National Archaeological Museum, Naples. Italy.
EditorialPeter Paul Rubens (1577-1640). Flemish painter. Daedalus and the Minotaur or The Labyrinth of Crete, ca.1636. Sketch. Oil on panel. Museum of Fine Arts. A Coru?a, Galicia, Spain.
EditorialHexagonal panel with depiction of Daedalus. Copy after a relief by Andrea Pisano (1290-1348). Campanile of Giotto. Cathedral of Florence, La Toscana, Italy.
EditorialThe Fall of Icarus, Crash of Icarus escaping with Daedalus from the island of Crete, frontispiece, Picart, Bernard (dir.), 1864, Hatton Turnor: Astra castra. Experiments and adventures in the atmosphere. London: Chapman and Hall, 1865.
EditorialDaedalus and Icarus. Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1530-1535. Dimensions: 343 x 264 mm. Pen and brown ink with brush and brown wash, heightened with lead white, over incising, on cream laid paper, laid down on ivory l...
EditorialFall of Icarus, Daedalus looks up while flying and is shocked to see how Icarus tumbles out of the sky. Print on the top right: Pag: 47, death ie the fall of Icarus (Daedalus present), Jan Luyken (mentioned on object), Amsterdam, 1686, paper, etching, ...
EditorialDaedalus and Icarus. Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1530-1535. Dimensions: 343 x 264 mm. Pen and brown ink with brush and brown wash, heightened with lead white, over incising, on cream laid paper, laid down on ivory l...
EditorialDaedalus present the artificial cow to Pasiphae. Roman fresco.1st century AD. Casa della Caccia Antica, VII, 4, 48. Pompeii, Italy. National Archaeological Museum, Naples. Italy.
EditorialDaedalus and Icarus. Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1530-1535. Dimensions: 343 x 264 mm. Pen and brown ink with brush and brown wash, heightened with lead white, over incising, on cream laid paper, laid down on ivory l...
EditorialPerdix transformed into a partridge by Athena after being pushed off a tower by his jealous uncle Daedalus. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, Londo...
EditorialPerdix transformed into a partridge by Athena after being pushed off a tower by his jealous uncle Daedalus. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, Londo...
EditorialDaedalus present the artificial cow to Pasiphae. Roman fresco.1st century AD. Casa della Caccia Antica, VII, 4, 48. Pompeii, Italy. National Archaeological Museum, Naples. Italy.
EditorialFashion commodore butterfly, Junonia pelarga, upper side 1, under side2, guineafowl butterfly, Hamanumida daedalus 3,4, and small flame-bordered charaxes, Charaxes anticlea 5,6. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's...